Rev. Gary Davis
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Cocaine blues
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Buck Rag
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General Info
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Genre: Blues / Gospel
Location Laurens, South Carolina, US
Profile Views: 7363
Last Login: 11/10/2010
Member Since 4/20/2008
Type of Label Major
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Bio
Reverend Gary Davis, also Blind Gary Davis, (April 30, 1896 – May 5, 1972) was an African American blues and gospel singer and guitarist. His unique finger-picking style influenced many other artists and his students in New York City included Stefan Grossman, Roy Book Binder, Woody Mann, Nick Katzman, Dave Van Ronk, Tom Winslow, and Ernie Hawkins. His musical influence extends from the Grateful Dead, Bob Dylan, Wizz Jones and Jorma Kaukonen to Keb Mo, Ollabelle and Resurrection Band. Born in Laurens, South Carolina, Davis became blind at a very young age. He took to the guitar and assumed a unique multi-voice style produced solely with his thumb and index finger, playing not only ragtime and blues tunes, but also traditional and original tunes in four-part harmony. In the mid-1920s, Davis migrated to Durham, North Carolina, a major center for black culture at the time. There he collaborated with a number of other artists in the Piedmont blues scene including Blind Boy Fuller and Bull City Red. In 1935, J. B. Long, a store manager with a reputation for supporting local artists, introduced Davis, Fuller and Red to the American Record Company. The subsequent recording sessions marked the real beginning of Davis' career. During his time in Durham, Davis converted to Christianity; he would later become ordained as a Baptist minister. Following his conversion and especially his ordination, Davis began to express a preference for inspirational gospel music. In the 1940s, the blues scene in Durham began to decline and Davis migrated to New York City. By the 1960s, he had become known as the "Harlem Street Singer" and also acquired a reputation as the person to see if you wanted to learn to play guitar. As a teacher, Davis was exceptionally patient and thorough, making sure students would learn and adapt his original left-hand fingerings. The folk revival of the 1960s re-invigorated Davis' career, culminating in a performance at the Newport Folk Festival and the recording by Peter, Paul and Mary of "Samson and Delilah", also known as "If I Had My Way", originally a Blind Willie Johnson recording that Davis had popularized. (Wikipedia) -
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6 Songs | Sep 21, 2008



















Miraldo 1 year ago
beto barbas
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beto barbas
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lux lucis 2 years ago
Martin Luther 2 years ago
Hoodoo Man 2 years ago
Jessica Johnson 2 years ago
lux lucis "What is God's remedy for dejection at apparent failure in our labours? This - the assurance that God's purpose cannot fail, that God's plans cannot miscarry, that God's will must be done. Our labours are not intended to bring about that which God has not decreed." ~A.W. Pink
2 years ago
Jessica Johnson 2 years ago
Jessica Johnson 2 years ago
10 of 54MoreHi there!
Thanks for the add.
Cool music here!
Miraldo
"The chief mark of counterfeit holiness is its lack of humility." ~Andrew Murray
"They gave our Master a crown of thorns. Why do we hope for a crown of roses?"
Thank you, good Reverend, for counting me as one of your friends.
Just showing some support!
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